Vibrant costumes are just part of what’s in store for audiences these days at a typical stage performance by funk and soul pioneers the BAR-KAYS. Spontaneity and excitement have been a trademark of the Memphis-based group ever since its inception in the mid-1960s. Today, the BAR-KAYS have reloaded their high-energy act and are ready to guide whole new generations onto the dance floor with a reinvigorated lineup.
In 2017, after a worldwide search, the BAR-KAYS introduced Memphis singer Chris J. as their new lead singer, replacing front man Larry Dodson, who recently retired. Familiar to audiences nationwide for his appearances on the Wild Out Wednesday competition on BET’s popular “106 and Park” and his recordings for Big Gates Records, including collaborations with Trina and Plies, Chris J. brings a whole new vibe and currency to the BAR-KAYS.
“Chris J is a consummate professional, and we wouldn’t give him the keys to the car if he couldn’t drive,” said former lead singer Larry Dodson and founding bassist James Alexander of the man chosen to help front the eight-man funk machine.
Chris J. joins drummer Demario Perry, a veteran of groups like the Dazz Band, as the newest members of this venerable R&B institution. The group also includes Ezra “EZ Roc” Williams on keys, Archie Love and Robert Day on vocals, Angelo Earl on guitar, and Mark Bynum on vocals and keys. “This opportunity is such a blessing from the OG’s Larry Dodson and James Alexander to little old mefrom North Memphis. But I will definitely make the world proud,” said Chris J. on landing the gig. The new, reloaded BAR-KAYS is just the latest manifestation of a band that has reinvented itself several times over its 50-plus year career.
The BAR-KAYS started as a ragtag group of teenagers growing up in the shadow of Memphis’ Stax Records. In 1967, the teens signed on as Stax’s newest band. The same year their potent, dynamic sound carried them to the top of the charts with their party smash “Soul Finger.” Their star was on the rise as the BAR-KAYS soon found themselves backing label superstar Otis Redding on what would be his final worldwide tour. That tour ended in disaster on December 10, 1967 when Redding and four members of the band perished in a plane accident.
Surviving members James Alexander and Ben Cauley reformed the BAR-KAYS, recruiting Larry Dodson of the Stax group the Temprees. Soon the new Bar-kays were the premier house band at Stax, playing on million-sellers for artists such as Carla Thomas, Rufus Thomas, Johnnie Taylor, Eddie Floyd, The Emotions, The Dramatics, Albert King, and, most notably, Isaac Hayes classics like Hot Buttered Soul, Black Moses, and the Grammy Award-winning album Shaft.
By the ’70s, the BAR-KAYS had reinvented themselves as one of the premier acts in a genre they helped event, funk. After the demise of Stax in the mid-’70s, the group signed with Mercury Records and recorded a string of hits that remain dance floor staples to this day: “Shake Your Rump to the Funk,” “Attitude,” “Move Your Boogie Body,” “Sexomatic,” “Anticipation,” “Freakshow on the Dance Floor,” “Hit and Run,” “She Talks to Me With Her Body,” “Too Hot to Stop,” and many others.
In the ’80s, Alexander stepped back from the BAR-KAYS to focus on his own promotions company, but the band continued to record and tour, adapting to the synth-heavy R&B sound of the period and working with artists like Sly Stone and Joe Walsh. In the ’90s, Alexander rejoined the band for a series of efforts that took them up the new millennium, including the 1991 album 48 Hours and Best of Barkays on Curb Records, which supplemented their classic hits with new material, including the single “Everybody Wants That Love.”
The BAR-KAYS continued their latest resurgence in the 21st century. They started their own label, as a showcase not just to put out their own music but to spotlight other artists in both R&B and gospel. In 2003, the first BAR-KAYS release on the label, the aptly-titled The Real Thing, was a regional hit behind singles ‘You’re My Joy” and “Glad You’re My Lady.” House Party, featuring the hits “Sho-Nuff” and “Superstar,” followed in 2007 and featured collaborations with fellow Stax alum Shirley Brown and Alexander’s son, noted Atlanta producer Jazze Pha.
The BAR-KAYS latest album is Grown Folks, their 29th studio album released in 2013 just ahead of the band’s year-long 50th anniversary celebration in 2014. Produced by Jazze Pha, the album finds the band surprisingly fresh and relevant behind the surprise radio smash title track and “Return of the Mack.” The record also features an all-star roster of guest performers, including George Clinton, Three 6 Mafia, and Eightball and MJG.
With their first half century under their belts, the BAR-KAYS remain one of the hardest working and most honored groups around. The band played President Barack Obama’s second inaugural and were also featured in a nationally-televised White House tribute to Memphis soul. Other TV appearances include “Sinbad’s Summer Jam” on HBO and an episode of TV One’s documentary series “Unsung.” They have been inducted into the Memphis Music Hall of Fame and Beale Street Walk of Fame, have been featured in the Rock & Roll Hall of Fame, and have been invited to perform for the troops in Iraq. Their music has been sampled by Will Smith, Cameo, Teddy Riley, and Coolio, among many others.
With a career total of 29 albums including 5 gold and 1 platinum, 40 single releases and 20 top ten singles and albums, the BAR-KAYS with the strong support of Johnny Stinson (Stinson Industrial) can expect to add to those figures and expand on their legendary status.